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home·artworks·Ocean Limited
Ocean Limited by Alex Colville

plate no. 2402

Ocean Limited

Alex Colville, 1962

oilContemporary Realismgenre paintingfiguretrainfieldskylandscapepower lines
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve subtle tonal variations and practice creating realistic textures, particularly in the field of grass.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of the figure and train.

  2. step 02

    Block in the large areas of color: sky, field, ground, and train tracks.

  3. step 03

    Begin adding details to the sky, creating subtle variations in tone.

  4. step 04

    Develop the field by layering different shades of yellow and brown to create the texture of the grass.

  5. step 05

    Paint the figure, paying attention to the folds and shadows in the coat.

  6. step 06

    Add details to the train, including the stripes and windows.

  7. step 07

    Refine the ground and add any final details, such as the power lines.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · yellow ochre · raw umber · titanium white · black

secondary · cadmium orange · burnt sienna · payne's gray

Achieve the subtle variations in the field by mixing yellow ochre with small amounts of raw umber and white. The sky is a mix of white and a touch of raw umber. Use Payne's gray to darken the coat.

techniques

  • ·layering
  • ·dry brushing
  • ·glazing
  • ·scumbling
  • ·blending

common pitfalls

  • →Overworking the details in the field, resulting in a flat or muddy appearance.
  • →Failing to create enough contrast in the figure, making it blend into the background.
  • →Inaccurate proportions in the train or figure.
  • →Using colors straight from the tube without mixing, resulting in a lack of harmony.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·retarder medium
  • ·varnish

A smooth canvas surface will help achieve the subtle blending effects in this painting.

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