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home·artworks·O Farol
O Farol by Anita Malfatti

plate no. 6944

O Farol

Anita Malfatti, 1915

oilExpressionismlandscapelighthousehousesskycloudslandscapehill
some experience helpful

Recreating this painting will help students practice layering colors with visible brushstrokes to create texture and form, as well as simplifying complex shapes into basic geometric forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the lighthouse, houses, and hill, paying attention to their relative sizes and positions.

  2. step 02

    Block in the sky with broad strokes of light blues, yellows, and pinks, blending slightly.

  3. step 03

    Establish the base colors of the hill using yellows and oranges, varying the tones to create depth.

  4. step 04

    Paint the lighthouse with white, grey, and touches of yellow, defining its cylindrical form with highlights and shadows.

  5. step 05

    Add the houses, simplifying their shapes and using reds, whites, and blues for the roofs and walls.

  6. step 06

    Define the bushes and trees with dark greens and browns, using short, choppy brushstrokes to create texture.

  7. step 07

    Refine the details of the lighthouse and houses, adding windows, doors, and other architectural elements.

  8. step 08

    Add final touches to the sky and hill, adjusting the colors and values to create a cohesive composition.

color palette

primary · yellow · white · blue · red

secondary · green · orange · grey · pink

Mix greens from blues and yellows, oranges from reds and yellows, and greys from blues, yellows, and reds. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·color layering
  • ·simplification of forms

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Making the brushstrokes too uniform, losing the sense of texture and energy.
  • →Getting bogged down in details too early, before establishing the overall composition and color scheme.
  • →Not varying the brushstrokes enough to create visual interest.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow, white, blue, red, green, orange)
  • ·Palette
  • ·Assorted brushes (flat and round)
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·painting apron

Use a limited palette to simplify color mixing and create a harmonious composition. Consider using a medium to thin the paint and improve flow.

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