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home·artworks·Notre-Dame in the Rain
Notre-Dame in the Rain by Albert Marquet

plate no. 7547

Notre-Dame in the Rain

Albert Marquet, 1910

oilFauvismcityscapecathedralarchitectureskyfiguresgothicbuilding
some experience helpful

Students will develop skills in architectural perspective and proportion while learning to simplify complex Gothic details into essential forms and practice color temperature relationships between warm stone and cool sky.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
2
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Begin with a light pencil sketch establishing the cathedral's basic geometric forms and proportions

  2. step 02

    Block in the large masses using thin paint - distinguish the cathedral from sky with basic color temperature

  3. step 03

    Establish the major architectural divisions and the relationship between different building sections

  4. step 04

    Add the main shadows and form modeling using slightly thicker paint

  5. step 05

    Develop the Gothic architectural details selectively, focusing on the most important elements

  6. step 06

    Paint the small figures at ground level to establish scale

  7. step 07

    Refine the color relationships between the warm stone tones and cool sky

  8. step 08

    Add final touches to rooflines and architectural accents

color palette

primary · raw umber · ultramarine blue · titanium white · burnt sienna

secondary · cadmium yellow ochre · alizarin crimson · cerulean blue

Mix warm grays for the stone using raw umber, white, and touches of burnt sienna. Create cool sky tones with ultramarine blue, white, and hints of cerulean blue.

techniques

  • ·architectural perspective
  • ·color temperature control
  • ·selective detail rendering
  • ·atmospheric effects
  • ·form simplification

common pitfalls

  • →Getting lost in too much Gothic detail
  • →Making the stone colors too cool
  • →Overworking the brushstrokes
  • →Losing the overall form in details

materials

surface · primed canvas or canvas board

required

  • ·canvas 16x20
  • ·#6 flat brush
  • ·#2 round brush
  • ·#10 flat brush
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint

optional

  • ·palette knife for mixing
  • ·cadmium yellow ochre
  • ·painting medium
  • ·#4 filbert brush

Use slightly absorbent surface to help control the paint application and allow for some texture in the architectural areas

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oil painting for beginners →how to learn by studying the masters →
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