apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Notre Dame De Paris from Quai Des Grands Augustins
Notre Dame De Paris from Quai Des Grands Augustins by C. R. W. Nevinson

plate no. 9534

Notre Dame De Paris from Quai Des Grands Augustins

C. R. W. Nevinson, 1930

oilExpressionismcityscapecityscaperiverbridgebuildingstreesNotre Dame
some experience helpful

Recreating this painting will help students practice perspective, layering, and capturing the atmosphere of a cityscape. It also provides an opportunity to experiment with expressive brushstrokes and color mixing to create depth and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 7 steps

  1. step 01

    Sketch the basic composition, focusing on the perspective lines of the buildings, bridge, and river.

  2. step 02

    Block in the large shapes of color for the sky, water, buildings, and trees using thin washes.

  3. step 03

    Develop the values and details of the buildings and bridge, paying attention to the light and shadow.

  4. step 04

    Add details to the water, capturing the reflections and movement.

  5. step 05

    Paint the trees and branches in the foreground, using a dry brush technique to create texture.

  6. step 06

    Add the figures and vehicles on the bridge and along the riverbank.

  7. step 07

    Refine the details and adjust the colors as needed to create a cohesive and atmospheric painting.

color palette

primary · raw umber · titanium white · ultramarine blue

secondary · burnt sienna · yellow ochre · cadmium red

Mix various shades of gray and brown by combining raw umber, ultramarine blue, and titanium white. Use burnt sienna and yellow ochre to create warm highlights on the buildings and trees.

techniques

  • ·layering
  • ·dry brush
  • ·atmospheric perspective
  • ·scumbling
  • ·color mixing

common pitfalls

  • →getting the perspective wrong
  • →overworking the details
  • →using colors that are too saturated
  • →failing to create a sense of depth

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor