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home·artworks·Not far from Mount Huang, the buffalo in the rice field
Not far from Mount Huang, the buffalo in the rice field by Shitao

plate no. 1839

Not far from Mount Huang, the buffalo in the rice field

Shitao, 1707

oilInk and wash paintinglandscapemountainslandscapetreesbuffalorice fieldvegetation
some experience helpful

Recreating this painting will help students understand the use of varying ink washes to create depth and atmosphere, as well as practice brush control for detailed line work.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a light wash of diluted brown or sepia ink to create an aged paper effect.

  2. step 02

    Lightly sketch the basic shapes of the mountains and landscape elements.

  3. step 03

    Begin with the background mountains, using very diluted ink for a hazy effect. Apply washes in layers, allowing each to dry before adding the next.

  4. step 04

    Gradually increase the ink concentration for the midground and foreground elements, building up darker values.

  5. step 05

    Use a fine brush to add details such as tree branches, grasses, and the buffalo, employing varying pressure to create thick and thin lines.

  6. step 06

    Pay attention to the negative space to define the shapes of the mountains and create a sense of depth.

  7. step 07

    Add the calligraphy and seals using a fine brush and red ink.

  8. step 08

    Allow the painting to dry completely.

color palette

primary · black ink · sepia

secondary · red (for seals)

Achieve different shades of gray by diluting black ink with varying amounts of water. Sepia can be used to create a warmer tone for the base wash.

techniques

  • ·ink wash
  • ·dry brush
  • ·varying line weight
  • ·atmospheric perspective
  • ·negative space

common pitfalls

  • →Using too much ink at once, resulting in a flat and muddy appearance.
  • →Overworking the details, losing the spontaneity of the brushstrokes.
  • →Ignoring the importance of negative space in defining the shapes.
  • →Not allowing washes to dry completely before adding subsequent layers.

materials

surface · rice paper or watercolor paper

required

  • ·rice paper or watercolor paper
  • ·black ink
  • ·sepia ink or watercolor
  • ·fine detail brush
  • ·medium round brush
  • ·water container
  • ·mixing palette

optional

  • ·red ink
  • ·palette knife
  • ·spray bottle

Experiment with different types of paper to achieve varying textures and effects. Use high-quality ink for best results.

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oil painting for beginners →how to learn by studying the masters →
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