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home·artworks·Nijubashi (Bridge to the Imperial Palace) from the series Scenes of Last Tokyo
Nijubashi (Bridge to the Imperial Palace) from the series Scenes of Last Tokyo by Koshiro Onchi

plate no. 3026

Nijubashi (Bridge to the Imperial Palace) from the series Scenes of Last Tokyo

Koshiro Onchi, 1945

oilSōsaku hangacityscapebridgetreebuildingwatercityscapepalace
some experience helpful

Recreating this painting will help students develop skills in layering colors and creating depth through simplified shapes. It also provides practice in rendering a complex subject with a limited palette.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition: the bridge, the tree, the building, and the large stone structure on the left.

  2. step 02

    Establish the base colors for the sky and water using diluted washes.

  3. step 03

    Block in the general shapes of the building and the bridge with their respective colors.

  4. step 04

    Add the darker tones to the stone structure on the left, creating texture with dry brush strokes.

  5. step 05

    Paint the tree branches, focusing on their delicate, drooping form.

  6. step 06

    Refine the details of the building and bridge, adding subtle variations in color and tone.

  7. step 07

    Add the dark accents under the bridge arches to create depth.

  8. step 08

    Make final adjustments to the colors and values to achieve the desired mood.

color palette

primary · sky blue · yellow ochre · raw umber

secondary · sap green · ivory black

Mix the sky blue with white for lighter areas and a touch of green for the distant hills. The water is a mix of blue, green, and umber. The building is primarily yellow ochre with touches of umber and white.

techniques

  • ·layering
  • ·dry brushing
  • ·color mixing
  • ·simplified shapes
  • ·atmospheric perspective

common pitfalls

  • →overworking the details
  • →using too many colors
  • →losing the overall composition
  • →making the tree too symmetrical

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic paints
  • ·round brushes (#2, #6)
  • ·flat brush (#8)
  • ·palette
  • ·water
  • ·paper towels

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas size that allows for comfortable working on the details. Acrylics are recommended for their quick drying time and ease of use.

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related guides

oil painting for beginners →how to learn by studying the masters →
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