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home·artworks·Niño Con Helado
Niño Con Helado by Maria Blanchard

plate no. 7621

Niño Con Helado

Maria Blanchard, 1925

oilExpressionismgenre paintingfigurestreetice cream cartarchitecturehatfood
some experience helpful

Recreating this painting will help students develop skills in depicting figures in perspective and rendering architectural elements with simplified forms. It also provides practice in color mixing to achieve the muted tones and subtle gradations of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings, cart, and figures.

  2. step 02

    Block in the large areas of color, starting with the background and pavement.

  3. step 03

    Establish the basic values (light and dark) on the figures and cart.

  4. step 04

    Begin refining the shapes and details of the figures, paying attention to proportions and anatomy.

  5. step 05

    Add details to the ice cream cart, including the awning, wheels, and decorative elements.

  6. step 06

    Refine the colors and values, adding subtle gradations and highlights.

  7. step 07

    Add the final details, such as the facial features, clothing details, and the hat on the ground.

  8. step 08

    Adjust the overall composition and color balance to achieve a cohesive and harmonious effect.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · sap green

Mix various shades of gray and brown by combining black, white, and umber. Use yellow ochre and white to create the light tones of the pavement. Add small amounts of red and blue to the grays to create subtle color variations.

techniques

  • ·blocking in
  • ·color mixing
  • ·scumbling
  • ·dry brushing
  • ·perspective drawing

common pitfalls

  • →Incorrect proportions of the figures
  • →Inaccurate perspective of the buildings and pavement
  • →Overly bright or saturated colors
  • →Lack of subtle color variations
  • →Ignoring the overall composition and color balance

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes sizes 2, 4, 6
  • ·palette knife
  • ·linseed oil

optional

  • ·medium gloss
  • ·palette scraper
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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