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home·artworks·Niña Leyendo
Niña Leyendo by Maria Blanchard

plate no. 6751

Niña Leyendo

Maria Blanchard, 1928

oilExpressionismportraitfigureportraitchildreadingbooktable
some experience helpful

Recreating this painting will help students develop skills in capturing mood with a limited palette and using expressive brushstrokes to suggest form rather than define it precisely. It also provides practice in depicting light and shadow on a figure.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, book, and table.

  2. step 02

    Block in the background with dark browns and blacks, leaving space for the figure.

  3. step 03

    Establish the main areas of light and shadow on the figure using a limited palette of reds, browns, and whites.

  4. step 04

    Apply thicker paint with visible brushstrokes to define the form and create texture.

  5. step 05

    Mix lighter tones to highlight the face, hands, and book, paying attention to the direction of light.

  6. step 06

    Add darker accents to define the shadows and create depth.

  7. step 07

    Refine the details of the face and hands, but maintain the expressive brushwork.

  8. step 08

    Make final adjustments to the values and colors to achieve a cohesive and atmospheric effect.

color palette

primary · burnt umber · burnt sienna · titanium white

secondary · cadmium red light · yellow ochre

Achieve the skin tones by mixing burnt sienna, white, and small amounts of cadmium red light. Darken the browns with burnt umber and black. Use yellow ochre to create highlights on the hair and face.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the expressive brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the direction of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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