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home·artworks·New York Cityscape
New York Cityscape by Charles Alston

plate no. 5928

New York Cityscape

Charles Alston, 1948

oilExpressionismcityscapecityscapebuildingswaternightarchitecture
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using expressive brushstrokes to create texture and mood. It also encourages experimentation with a limited color palette to achieve a cohesive and atmospheric effect.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the overall composition, focusing on the main structures.

  2. step 02

    Block in the large areas of dark and light values using thinned paint.

  3. step 03

    Start adding the mid-tones, blending where necessary to create a sense of depth.

  4. step 04

    Introduce the blue for the water and sky, using varied brushstrokes to suggest movement.

  5. step 05

    Add the yellow and orange highlights to represent the lights in the buildings.

  6. step 06

    Refine the details of the buildings, adding windows and architectural features with bold brushstrokes.

  7. step 07

    Adjust the overall value contrast and color balance to create the desired mood.

  8. step 08

    Add final details and highlights, paying attention to the texture and brushwork.

color palette

primary · ultramarine blue · raw umber · titanium white · yellow ochre

secondary · cadmium orange · ivory black

Mix different values of gray by combining raw umber and titanium white. Create a range of blues by mixing ultramarine blue with white and black. Achieve the yellow highlights by mixing yellow ochre with a touch of cadmium orange.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·layering
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating mud by over-mixing colors.
  • →Failing to establish a strong value structure.
  • →Ignoring the importance of varied brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#4 round brush
  • ·#8 flat brush
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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