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home·artworks·New Market Square in Vitoria
New Market Square in Vitoria by Carlos Saenz de Tejada

plate no. 6182

New Market Square in Vitoria

Carlos Saenz de Tejada

oilSocial Realismgenre paintingfiguresmarketbuildingsfruitcityscapeclothing
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and creating a sense of depth using value and color. It also provides practice in capturing textures and details with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of the figures and buildings.

  2. step 02

    Block in the main shapes and forms with thin washes of color, focusing on the overall value structure.

  3. step 03

    Develop the figures, paying attention to proportions and anatomical details.

  4. step 04

    Add details to the clothing, faces, and fruit basket, using smaller brushes.

  5. step 05

    Build up the background buildings, creating a sense of depth with lighter values and less detail.

  6. step 06

    Refine the lighting and shadows to create a sense of form and volume.

  7. step 07

    Add final details and highlights to enhance the overall realism.

  8. step 08

    Glaze with thin washes to unify the colors and create a harmonious effect.

color palette

primary · raw umber · yellow ochre · burnt sienna

secondary · ultramarine blue · cadmium red light · titanium white

Mix various shades of brown and beige by combining raw umber, yellow ochre, and white. Use ultramarine blue to create cool shadows and to neutralize warm colors. Mix red and yellow to create oranges for the fruit.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·dry brushing
  • ·glazing
  • ·chiaroscuro

common pitfalls

  • →Incorrect proportions in figures
  • →Overworking details too early
  • →Failing to create a sense of depth
  • →Muddying colors by overmixing

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.

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oil painting for beginners →how to learn by studying the masters →
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