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home·artworks·At the bar
At the bar by Carlos Saenz de Tejada

plate no. 4797

At the bar

Carlos Saenz de Tejada, 1924

oilCubismgenre paintingfiguresbartableschairsadvertisementsinterior
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into geometric shapes and using a limited color palette to create a cohesive atmosphere. Students will also learn to create depth using overlapping shapes and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the scene, focusing on the placement of figures and furniture.

  2. step 02

    Establish the background color with a thin wash of diluted paint.

  3. step 03

    Block in the main color areas for each figure and object, using simplified geometric shapes.

  4. step 04

    Refine the shapes and add details to the figures and objects, paying attention to the angles and proportions.

  5. step 05

    Introduce subtle value changes to create depth and dimension.

  6. step 06

    Add the lettering and advertisements in the background, using a fine brush.

  7. step 07

    Define the edges of shapes with darker lines to create contrast and separation.

  8. step 08

    Add final highlights and shadows to enhance the overall effect.

color palette

primary · cerulean blue · raw sienna · burnt umber · titanium white

secondary · cadmium red light · yellow ochre

Mix various shades of blue by adding white or umber to cerulean blue. Create warm browns by mixing raw sienna and burnt umber. Use white to lighten colors and create highlights.

techniques

  • ·geometric simplification
  • ·limited palette
  • ·layering
  • ·color mixing
  • ·linear perspective

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using too many colors and losing the cohesive atmosphere.
  • →Ignoring the underlying geometric structure of the scene.
  • →Not paying attention to the value relationships between different areas.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·cerulean blue oil paint
  • ·raw sienna oil paint
  • ·burnt umber oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil or turpentine for easier blending.

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oil painting for beginners →how to learn by studying the masters →
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