apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Near Newport, Rhode Island
Near Newport, Rhode Island by John Frederick Kensett

plate no. 3220

Near Newport, Rhode Island

John Frederick Kensett, 1872

oilLuminismlandscapebeachoceanrockscliffskyfigure
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the movement of water. It also provides practice in rendering realistic rock textures and subtle color gradations in the sky.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the cliff, and the main wave shapes.

  2. step 02

    Establish the dark and light values with a thin wash of burnt umber or raw sienna.

  3. step 03

    Block in the sky with muted purples and grays, blending softly.

  4. step 04

    Paint the cliff using a range of browns and ochres, adding highlights and shadows to create form.

  5. step 05

    Develop the ocean with varying shades of green and blue, paying attention to the wave structure and reflections.

  6. step 06

    Add the details of the beach, including the sand, rocks, and driftwood.

  7. step 07

    Paint the figure and boat, keeping them simple and in proportion to the landscape.

  8. step 08

    Refine the details and add highlights to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · ultramarine blue · titanium white

secondary · yellow ochre · cadmium yellow · alizarin crimson · viridian green

Mix muted greens by combining ultramarine blue and yellow ochre. Achieve atmospheric perspective by adding white to colors as they recede into the distance. Use alizarin crimson and ultramarine blue to create the muted purples in the sky.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·wet-on-wet blending
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating overly bright or saturated colors that detract from the muted tones.
  • →Failing to establish a strong value structure, resulting in a flat or muddy painting.
  • →Incorrectly rendering the wave structure, making the ocean appear unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x24
  • ·oil paints
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·palette knife

optional

  • ·retouch varnish
  • ·medium gloss
  • ·easel

Use a canvas with a smooth or slightly textured surface. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Sunset with Cows

Sunset with Cows

John Frederick Kensett

Hudson River

Hudson River

John Frederick Kensett

Jersey Marshes

Jersey Marshes

Martin Johnson Heade

Mount Lafayette, New Hampshire

Mount Lafayette, New Hampshire

David Johnson

Placid Lake, Adirondacks

Placid Lake, Adirondacks

David Johnson

The Morteratsch Glacier, Upper Engadine Valley, Pontresina

The Morteratsch Glacier, Upper Engadine Valley, Pontresina

Albert Bierstadt

Western Kansas

Western Kansas

Albert Bierstadt

Sunrise in Nicaragua

Sunrise in Nicaragua

Martin Johnson Heade