apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Natureza morta com três vasos de cactos
Natureza morta com três vasos de cactos by Lasar Segall

plate no. 3404

Natureza morta com três vasos de cactos

Lasar Segall, 1929

oilExpressionismstill lifestill lifecactipotstablegeometric shapesplants
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and understanding color relationships to create depth and form. It also provides a good introduction to expressive brushwork.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the objects on the canvas.

  2. step 02

    Block in the large areas of color for each object and the background.

  3. step 03

    Start with the darkest values and gradually add lighter tones to create form.

  4. step 04

    Use visible brushstrokes to add texture and interest to the surfaces.

  5. step 05

    Mix subtle variations of color to create depth and dimension.

  6. step 06

    Define the edges of the objects with careful attention to light and shadow.

  7. step 07

    Add details such as the spines of the cacti and the patterns on the plate.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making adjustments as needed.

color palette

primary · red · green · brown · white

secondary · yellow · orange · gray

Achieve the muted tones by mixing complementary colors (e.g., red and green, blue and orange) with white. Use browns and blacks sparingly to darken colors.

techniques

  • ·blocking in
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·simplification of form

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating colors that are too saturated and not harmonious with the overall palette.
  • →Failing to simplify the forms and getting bogged down in unnecessary details.
  • →Ignoring the importance of light and shadow in creating form and depth.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Acrylic or oil paints (red, green, brown, white, yellow, orange, gray)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Linseed oil (if using oil paints)

optional

  • ·easel
  • ·painting medium
  • ·varnish

Use a limited palette to simplify color mixing and create a harmonious effect.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor