apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nature morte dans la grande salle (au Rivier)
Nature morte dans la grande salle (au Rivier) by Jean Hugo

plate no. 0709

Nature morte dans la grande salle (au Rivier)

Jean Hugo, 1979

oilFauvismstill lifestill lifeflowerstableinteriorlampteapot
suitable for beginners

Recreating this painting will help students develop skills in simplifying complex forms and using a limited color palette to create a harmonious composition. It also provides practice in layering colors and creating texture with visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the scene, focusing on proportions.

  2. step 02

    Block in the large areas of color, starting with the background and the table.

  3. step 03

    Add the main objects: the sofa, lamp, flowers, teapot, cups, and lemons.

  4. step 04

    Refine the shapes and colors of the flowers, paying attention to the details of the petals and leaves.

  5. step 05

    Add shadows and highlights to create depth and dimension.

  6. step 06

    Use visible brushstrokes to add texture and visual interest.

  7. step 07

    Add the details like the knife and the design on the sofa.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and balanced composition.

color palette

primary · red · yellow · brown · white

secondary · purple · green · blue · black

Mix browns from red, yellow, and black. Create the pink sofa color by mixing red and white. Achieve the flower colors by mixing red with purple and white.

techniques

  • ·blocking
  • ·layering
  • ·visible brushstrokes
  • ·color mixing
  • ·simplification

common pitfalls

  • →Overworking the details and losing the simplicity of the original painting.
  • →Not paying attention to the proportions of the objects.
  • →Using too many colors and creating a muddy or chaotic composition.
  • →Failing to capture the texture and energy of the brushstrokes.

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Acrylic or oil paints
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil (if using oil paints)
  • ·Odorless mineral spirits or turpentine (for cleaning brushes)

optional

  • ·Painting medium
  • ·Easel
  • ·Reference photo print

Use a canvas with a medium texture to enhance the visibility of the brushstrokes. Acrylic paints are more beginner-friendly due to their faster drying time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Lilac

Lilac

Mikhail Larionov

The Bridge at Le Pecq

The Bridge at Le Pecq

Andre Derain

Le salon blanc

Le salon blanc

Jean Hugo

By the Sea

By the Sea

Louis Valtat

Still Life with Camellias

Still Life with Camellias

Ilya Mashkov

Ship at Le Havre

Ship at Le Havre

Georges Braque

Self-Portrait

Self-Portrait

Henri Matisse

Pine Trees on Kerkyra

Pine Trees on Kerkyra

Konstantinos Parthenis