apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Nature morte aux oignons
Nature morte aux oignons by Jean Fautrier

plate no. 2769

Nature morte aux oignons

Jean Fautrier, 1926

oilExpressionismstill lifeonionsknifestill lifevegetablestable
some experience helpful

Recreating this painting will help students develop skills in simplifying forms, understanding light and shadow, and using expressive brushstrokes to create texture and depth. It's a good exercise in capturing the essence of a subject rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the objects on the canvas.

  2. step 02

    Block in the main areas of color for the background and the objects, focusing on the overall value structure.

  3. step 03

    Establish the darkest shadows and lightest highlights to create a sense of form.

  4. step 04

    Begin refining the shapes and adding details, paying attention to the direction of the brushstrokes.

  5. step 05

    Mix and apply secondary colors to create depth and interest in the shadows and highlights.

  6. step 06

    Add final details and adjust values as needed to create a cohesive composition.

  7. step 07

    Soften edges where appropriate to blend forms together.

  8. step 08

    Add final highlights to create a focal point.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · yellow ochre

Mix raw umber and white for the lighter areas, adding small amounts of yellow ochre for warmth. Use black and umber for the shadows, and burnt sienna for reddish tones in the onions.

techniques

  • ·blocking in
  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to establish a strong value structure early on.
  • →Using colors straight from the tube without mixing them.
  • →Making the edges too sharp and defined.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 4, 6, 8)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a limited palette to simplify color mixing and create a harmonious composition. Consider using a toned canvas to establish a base value.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor