
plate no. 6671
Patrick Procktor, 1977
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering textures and details with watercolor.
technical profile
approach — 8 steps
Lightly sketch the outline of the portrait, frame, and main features.
Apply a light wash of diluted blue for the background within the frame.
Begin layering skin tones with light washes of pinks, yellows, and browns, building up shadows gradually.
Paint the eyes, paying attention to the highlights and subtle color variations.
Add details to the hair, using short, broken brushstrokes to create texture.
Paint the clothing and jacket, using darker values to create depth.
Carefully paint the black frame, ensuring crisp edges and consistent tone.
Add final details and highlights to the portrait and frame.
color palette
primary · ultramarine blue · burnt sienna · yellow ochre · titanium white
secondary · alizarin crimson · ivory black · sap green
Mix skin tones using burnt sienna, yellow ochre, alizarin crimson, and white. Use ultramarine blue and burnt sienna to create a neutral black for the frame.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve various effects.
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