apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Myxomatosis (Self-Portrait in a Mirror)
Myxomatosis (Self-Portrait in a Mirror) by Patrick Procktor

plate no. 6671

Myxomatosis (Self-Portrait in a Mirror)

Patrick Procktor, 1977

oilExpressionismself-portraitportraitself-portraitfiguremirrorframe
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating a sense of depth through layering and subtle value changes. It also provides practice in rendering textures and details with watercolor.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the outline of the portrait, frame, and main features.

  2. step 02

    Apply a light wash of diluted blue for the background within the frame.

  3. step 03

    Begin layering skin tones with light washes of pinks, yellows, and browns, building up shadows gradually.

  4. step 04

    Paint the eyes, paying attention to the highlights and subtle color variations.

  5. step 05

    Add details to the hair, using short, broken brushstrokes to create texture.

  6. step 06

    Paint the clothing and jacket, using darker values to create depth.

  7. step 07

    Carefully paint the black frame, ensuring crisp edges and consistent tone.

  8. step 08

    Add final details and highlights to the portrait and frame.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · alizarin crimson · ivory black · sap green

Mix skin tones using burnt sienna, yellow ochre, alizarin crimson, and white. Use ultramarine blue and burnt sienna to create a neutral black for the frame.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overworking the watercolor and losing transparency.
  • →Using too much water and causing the colors to bleed uncontrollably.
  • →Not allowing each layer to dry completely before applying the next.
  • →Failing to capture the likeness of the subject.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper (140lb)
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·watercolor pencils
  • ·ruler

Use high-quality watercolor paper to prevent buckling and ensure good color absorption. Experiment with different brush sizes to achieve various effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor