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home·artworks·Myoko Hot Spring
Myoko Hot Spring by Toshi Yoshida

plate no. 9850

Myoko Hot Spring

Toshi Yoshida, 1955

oilSōsaku hangalandscapesnowtreesmountainslandscapebuildingswinter
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and understanding how to simplify complex scenes into basic shapes. It also provides practice in creating a sense of atmosphere and distance.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and composition: mountain, trees, buildings.

  2. step 02

    Establish the base color for the sky, using a light pink or peach tone.

  3. step 03

    Paint the mountain range in the background with a light blue-gray wash.

  4. step 04

    Add the darker green tones for the trees on the mountain, using short, vertical strokes.

  5. step 05

    Begin painting the snow-covered trees in the foreground, starting with the lighter blue shadows.

  6. step 06

    Add the white highlights to the snow, defining the shapes and texture.

  7. step 07

    Paint the buildings and other details in the midground, using darker blues and grays.

  8. step 08

    Refine details and add final touches, such as branches and subtle color variations.

color palette

primary · Prussian blue · Titanium white · Burnt umber

secondary · Light pink · Sap green · Payne's gray

Mix Prussian blue and white for various shades of blue for the snow and mountains. Use burnt umber and Prussian blue to create the dark tones for the trees and buildings. Mix white with a touch of red for the pink sky.

techniques

  • ·Layering
  • ·Color mixing
  • ·Dry brushing
  • ·Simplification
  • ·Atmospheric perspective

common pitfalls

  • →Overworking the details in the background, losing the sense of distance.
  • →Making the snow too uniformly white, lacking depth and shadow.
  • →Not simplifying the shapes of the trees and mountains enough.
  • →Using colors that are too saturated, losing the muted winter feel.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic paints (Prussian blue, Titanium white, Burnt umber, Sap green, Payne's gray)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Water container
  • ·Paper towels
  • ·Pencil

optional

  • ·Palette knife
  • ·Retarder medium
  • ·Easel

Use good quality acrylic paints for better color mixing and longevity. Consider using a canvas with a smooth surface for easier blending.

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related guides

oil painting for beginners →how to learn by studying the masters →
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