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home·artworks·My tired son Mladen
My tired son Mladen by Alfred Krupa

plate no. 6925

My tired son Mladen

Alfred Krupa, 1975

oilExpressionismportraitportraitfigurechairsweatermanbackground
some experience helpful

Recreating this painting will help students practice portrait proportions and mixing skin tones, as well as creating a sense of depth through layering and subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair using a light pencil.

  2. step 02

    Block in the background with thin washes of burnt sienna and umber.

  3. step 03

    Establish the main skin tones with a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Paint the sweater with a light gray, adding subtle shadows and highlights.

  5. step 05

    Define the features of the face, paying attention to the shapes of the eyes, nose, and mouth.

  6. step 06

    Add the yellow collar, using a brighter yellow and adding shadows with burnt sienna.

  7. step 07

    Refine the details of the hair, using a mix of browns and blacks.

  8. step 08

    Add final touches and highlights to complete the painting.

color palette

primary · burnt sienna · yellow ochre · titanium white · raw umber

secondary · cadmium yellow · ivory black · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of red. Use burnt sienna and umber for shadows and background. Create grays by mixing white and black with a touch of brown.

techniques

  • ·blocking in
  • ·layering
  • ·blending
  • ·scumbling
  • ·portrait proportions

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Over-blending the colors, resulting in a muddy look.
  • →Not creating enough contrast between light and shadow.
  • →Ignoring the subtle color variations in the skin tones.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (burnt sienna, yellow ochre, titanium white, raw umber, ivory black, cadmium yellow, alizarin crimson)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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