apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Mountain View
Mountain View by Sirak Skitnik

plate no. 6265

Mountain View

Sirak Skitnik

oilExpressionismlandscapemountainshillsskycloudstreeslandscape
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and layering colors to create depth and texture. It's also a good exercise in simplifying complex landscapes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the mountains and hills, focusing on the overall composition.

  2. step 02

    Block in the sky with light blue and white, creating soft cloud shapes.

  3. step 03

    Establish the main value ranges for the mountains and hills using a thin wash of browns and greens.

  4. step 04

    Begin layering thicker paint, using visible brushstrokes to define the forms of the landscape.

  5. step 05

    Introduce variations in color, mixing greens, blues, and browns to create depth and interest.

  6. step 06

    Add details such as trees and buildings, using small, deliberate brushstrokes.

  7. step 07

    Refine the highlights and shadows to enhance the three-dimensionality of the landscape.

  8. step 08

    Add final details and adjust colors as needed to achieve the desired effect.

color palette

primary · ultramarine blue · titanium white · burnt umber · sap green

secondary · yellow ochre · raw sienna · cadmium red light

Mix greens by combining blue and yellow, and browns by mixing umber with blue and red. Use white to lighten values and create highlights.

techniques

  • ·impasto
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a clear value structure.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor