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home·artworks·Mount Washington from the Valley of Conway
Mount Washington from the Valley of Conway by John Frederick Kensett

plate no. 5308

Mount Washington from the Valley of Conway

John Frederick Kensett, 1869

oilLuminismlandscapemountainsvalleytreesskylandscapebuildings
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering to create depth. Students will also learn to mix subtle color variations to represent light and shadow in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, dividing the canvas into foreground, middle ground, and background.

  2. step 02

    Block in the sky with a light blue, blending it smoothly.

  3. step 03

    Establish the mountain ranges, using progressively lighter and bluer tones for distant peaks.

  4. step 04

    Paint the valley floor with a base of green and brown, adding details of fields and trees.

  5. step 05

    Add the details of the buildings and structures in the middle ground.

  6. step 06

    Paint the foreground trees and foliage, focusing on variations in color and texture.

  7. step 07

    Add highlights to the trees and mountains to create a sense of light.

  8. step 08

    Refine details and blend edges to achieve a soft, luminous effect.

color palette

primary · cerulean blue · raw umber · sap green · titanium white

secondary · yellow ochre · burnt sienna · alizarin crimson

Mix blues with white to create the sky and distant mountains. Use raw umber and sap green for the valley, adjusting the ratio to create variations in tone. Add small amounts of alizarin crimson to darken greens and browns.

techniques

  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the details in the background, which can flatten the image.
  • →Using too much contrast, which can make the painting look harsh.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Not blending colors smoothly enough, resulting in a choppy appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·raw umber oil paint
  • ·sap green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

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oil painting for beginners →how to learn by studying the masters →
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