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home·artworks·Montparnasse
Montparnasse by Robert Henri

plate no. 6086

Montparnasse

Robert Henri, 1898

oilAmerican Realismcityscapecityscapebuildingsfiguresstreetnightawnings
some experience helpful

Recreating this painting will help students develop skills in capturing atmospheric perspective and using a limited palette to create a sense of mood and depth. It also offers practice in simplifying complex scenes into basic shapes and values.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: buildings, figures, and the street.

  2. step 02

    Establish the overall value structure with a thin wash of dark brown or umber.

  3. step 03

    Block in the main areas of color: the red buildings, yellow street, and dark foliage.

  4. step 04

    Refine the shapes of the figures, paying attention to their silhouettes and the light hitting them.

  5. step 05

    Add details to the buildings, such as windows and awnings, using small brushstrokes.

  6. step 06

    Create the impression of depth by softening edges and reducing contrast in the background.

  7. step 07

    Add highlights to the street and figures to create a sense of light and atmosphere.

  8. step 08

    Review and adjust values and colors to achieve a cohesive and harmonious composition.

color palette

primary · yellow ochre · burnt umber · cadmium red

secondary · ivory black · titanium white · sap green

Mix yellow ochre with burnt umber and white to create the warm tones of the street and buildings. Use burnt umber and black to create the dark shadows and foliage. Add small amounts of red to the brown mixtures to warm them up.

techniques

  • ·alla prima
  • ·scumbling
  • ·atmospheric perspective
  • ·value blocking
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall impressionistic effect.
  • →Using too many colors and creating a muddy or chaotic composition.
  • →Failing to establish a strong value structure, resulting in a flat or unconvincing painting.
  • →Ignoring atmospheric perspective and failing to create a sense of depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (yellow ochre, burnt umber, cadmium red, ivory black, titanium white)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

A toned canvas (e.g., with a thin wash of burnt umber) can be helpful for establishing the overall value structure.

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