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home·artworks·Montecalvello
Montecalvello by Balthus

plate no. 7342

Montecalvello

Balthus, 1979

oil, canvasExpressionismlandscapelandscapehillsfieldsskybuildingfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and subtle color blending to create depth and distance. It also provides practice in rendering varied textures using different brushstrokes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and composition, paying attention to the placement of the hills, fields, and buildings.

  2. step 02

    Establish the horizon line and the overall atmospheric perspective by applying a thin wash of muted colors.

  3. step 03

    Block in the main areas of color for the sky, hills, and fields, focusing on the subtle variations in tone.

  4. step 04

    Develop the form of the hills and rock formations using light and shadow, gradually building up layers of paint.

  5. step 05

    Add details to the fields and buildings, paying attention to the perspective and scale.

  6. step 06

    Introduce the figures in the foreground, keeping them simple and understated.

  7. step 07

    Refine the textures of the landscape using dry brush techniques and subtle color variations.

  8. step 08

    Add final highlights and shadows to enhance the depth and atmosphere of the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · cerulean blue · burnt sienna

Achieve the muted tones by mixing raw umber and white with small amounts of yellow ochre and cerulean blue. Use burnt sienna to add warmth to the foreground and shadows.

techniques

  • ·atmospheric perspective
  • ·dry brush texture
  • ·color blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using colors that are too saturated and not muted enough.
  • →Ignoring the subtle variations in tone and value.
  • →Failing to establish a clear sense of depth and distance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cerulean blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Thin the oil paints with linseed oil to create a smooth, workable consistency.

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