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home·artworks·Mongolian Chiefs
Mongolian Chiefs by Alexandre Jacovleff

plate no. 5452

Mongolian Chiefs

Alexandre Jacovleff, 1932

oilExpressionismportraitportraitsmenclothingheadwearfaceshistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create depth and form using value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the three figures, paying attention to their relative sizes and positions.

  2. step 02

    Establish the background color with a thin wash.

  3. step 03

    Begin blocking in the main areas of color for each figure, starting with the skin tones and then moving to the clothing and headwear.

  4. step 04

    Gradually build up the values and details in the faces, using layering and blending techniques to create smooth transitions.

  5. step 05

    Add details to the clothing, such as the folds and textures of the fabric, and the details of the hats.

  6. step 06

    Refine the edges and contours of the figures, paying attention to the way the light and shadow define their forms.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Consider adding the artist's signature and the year.

color palette

primary · burnt sienna · ultramarine blue · raw umber · titanium white

secondary · cadmium red · yellow ochre · ivory black

Mix burnt sienna and white for the base skin tone, adding small amounts of red or yellow for warmth. Use ultramarine blue and raw umber for the dark clothing, adding white to lighten the values. Mix black and blue for the darker areas of the clothing.

techniques

  • ·portrait sketching
  • ·color mixing
  • ·layering
  • ·blending
  • ·dry brushing

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details too early
  • →Using too much paint
  • →Not paying attention to the values

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas (e.g., 16x20 inches) for this project. Consider using a toned canvas to help establish the values.

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