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home·artworks·Mingachevir HES
Mingachevir HES by Mahmud Taghiyev

plate no. 9779

Mingachevir HES

Mahmud Taghiyev

oilExpressionismlandscapelandscapebuildingswaterskymountainsindustrial
some experience helpful

This painting helps develop skills in layering colors to create depth and texture, as well as simplifying complex scenes into basic shapes and forms. Students will also learn to capture the essence of a landscape with expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major shapes of the buildings and landscape.

  2. step 02

    Block in the sky with a light blue-purple mix, blending slightly.

  3. step 03

    Establish the main areas of the landscape with broad strokes of yellow ochre, burnt sienna, and raw umber.

  4. step 04

    Add the buildings and structures, using a light gray mixed with white and touches of pink for highlights.

  5. step 05

    Define the water with turquoise and green, using horizontal strokes to suggest movement.

  6. step 06

    Layer darker shades of brown and green to create depth and shadow in the foreground.

  7. step 07

    Add details with smaller brushes, such as the lines of the power lines and the figures in the building.

  8. step 08

    Refine the highlights and shadows to create a sense of form and dimension.

color palette

primary · yellow ochre · burnt sienna · titanium white · ultramarine blue

secondary · raw umber · turquoise · cadmium red light · light violet

Mix yellow ochre and burnt sienna for the earth tones. Use ultramarine blue and white for the sky, adding a touch of red for the violet tint. Mix turquoise from blue and green, and add white for highlights in the water.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·expressive brushwork

common pitfalls

  • →Overworking the details too early.
  • →Creating mud by over-mixing colors.
  • →Ignoring the underlying structure of the composition.
  • →Not varying brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·assorted brushes (flat and round)
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·palette knife or mixing stick
  • ·linseed oil or painting medium

optional

  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·palette knife
  • ·medium gloss

Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify the color mixing process.

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