
plate no. 8686
Graham Sutherland, 1979
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth with subtle value changes. It also provides practice in capturing a likeness and conveying a sense of character.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head and shoulders using light pencil lines.
Block in the background with a thin layer of green paint, varying the tone slightly.
Establish the main shadow areas on the face using a mid-tone brown mix.
Begin building up the skin tones with layers of lighter and darker values, blending carefully.
Add highlights to the forehead, nose, and cheekbones to create form.
Paint the details of the eyes, nose, and mouth, paying attention to their shapes and values.
Define the clothing with dark blues and grays, adding subtle highlights.
Refine the edges and details of the portrait, making adjustments as needed.
color palette
primary · yellow ochre · burnt umber · titanium white · viridian green
secondary · ultramarine blue · cadmium yellow · alizarin crimson
Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white in varying proportions. Use small amounts of alizarin crimson and ultramarine blue to adjust the warmth and coolness of the skin tones. Mix viridian green with white and a touch of yellow for the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering and blending.
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