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home·artworks·Militiamen in an interior
Militiamen in an interior by Arturo Souto

plate no. 5837

Militiamen in an interior

Arturo Souto, 1937

oil, canvasExpressionismgenre paintingfiguresinteriortablewindowgunpitcher
some experience helpful

Recreating this painting will help students develop skills in capturing the mood of a scene using a limited palette and loose brushwork, as well as understanding how to depict figures in an interior space with a focus on light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major objects.

  2. step 02

    Establish the overall warm, dark background tone using a mixture of burnt umber and raw sienna.

  3. step 03

    Block in the main shapes of the figures and objects with simplified color masses.

  4. step 04

    Develop the light and shadow patterns on the figures, paying attention to the direction of the light source.

  5. step 05

    Add details to the faces and clothing, using small brushstrokes to suggest texture.

  6. step 06

    Refine the background and surrounding objects, maintaining a loose and expressive style.

  7. step 07

    Add highlights to the pitcher, cup, and other reflective surfaces.

  8. step 08

    Make final adjustments to the composition and color balance.

color palette

primary · burnt umber · raw sienna · ultramarine blue

secondary · yellow ochre · titanium white · cadmium red

Achieve the warm, earthy tones by mixing burnt umber and raw sienna. Use ultramarine blue to create cooler shadows and to mix with the browns for a muted effect. Add small amounts of cadmium red for warmth in the skin tones.

techniques

  • ·alla prima
  • ·dry brushing
  • ·scumbling
  • ·limited palette
  • ·tonal painting

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the direction of the light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·easel

Use a canvas with a medium texture to enhance the brushwork. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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