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home·artworks·Mildred-O Hat
Mildred-O Hat by Robert Henri

plate no. 7565

Mildred-O Hat

Robert Henri

oilAmerican Realismportraitportraitfigurehatclothinggirlface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and capturing light and shadow with visible brushstrokes. It's a good exercise in simplifying complex forms and focusing on essential details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, hat, and background.

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with thin washes of color.

  3. step 03

    Mix a range of skin tones using a limited palette and apply them to the face, neck, and hands, paying attention to subtle shifts in color and value.

  4. step 04

    Paint the hat, focusing on capturing its form and texture with bold brushstrokes and variations in color.

  5. step 05

    Add the details of the clothing, using a combination of direct painting and layering to create depth and interest.

  6. step 06

    Refine the background, using loose brushstrokes and muted colors to create a sense of atmosphere.

  7. step 07

    Adjust the overall composition and make any necessary corrections to the drawing, values, and colors.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre

Achieve skin tones by mixing burnt umber, raw sienna, cadmium red, and titanium white. Use ultramarine blue and white to create cooler tones for shadows and clothing details. Mix browns and blues for the background.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature variation
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the proportions wrong in the initial sketch.
  • →Using colors that are too saturated or bright.
  • →Failing to capture the subtle shifts in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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