
plate no. 8668
Chaim Soutine, 1918
Recreating this painting will help students develop skills in expressive brushwork and color mixing to create dynamic landscapes. Students will also learn to simplify complex scenes into basic shapes and values.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the hills, trees, and sky.
Block in the sky with a thin layer of blue, allowing some canvas to show through.
Establish the darkest values in the trees and shadows using dark green and brown mixtures.
Begin layering the hills with ochre, yellow, and touches of orange, building up texture with visible brushstrokes.
Add highlights to the foliage with lighter greens and yellows, using short, broken strokes.
Indicate the figure with simple dark shapes, adding a few touches of color for detail.
Refine the transitions between colors and values, blending where necessary but maintaining the expressive brushwork.
Add final details and highlights to enhance the overall composition.
color palette
primary · Prussian Blue · Yellow Ochre · Cadmium Yellow · Burnt Sienna
secondary · Viridian Green · Cadmium Red · Titanium White
Mix greens by combining blues and yellows, adjusting the ratio for different shades. Create earth tones by mixing browns, yellows, and blues. Use white to lighten colors and create highlights.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use a medium-textured canvas to enhance the brushwork. Consider using a limited palette to simplify color mixing.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor