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home·artworks·Medieval Castle, Ketshin, Poland
Medieval Castle, Ketshin, Poland by Petros Malayan

plate no. 3322

Medieval Castle, Ketshin, Poland

Petros Malayan, 1985

oilExpressionismcityscapecastlebuildingscarstreecityscapesky
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and creating atmospheric perspective with muted colors. It also encourages simplification of complex shapes into basic forms.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: castle, buildings, tree, and cars.

  2. step 02

    Apply a thin wash of diluted brown/grey to the entire canvas to establish the overall tone.

  3. step 03

    Block in the dark areas of the castle and tree with a darker mix of browns and blues.

  4. step 04

    Add lighter tones to the buildings and ground, blending edges to create a soft, atmospheric effect.

  5. step 05

    Paint the cars with simplified shapes and minimal detail.

  6. step 06

    Add details to the castle, such as the roof tiles and windows, using small brushstrokes.

  7. step 07

    Refine the tree branches and add subtle highlights to the cars and buildings.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · burnt umber · ultramarine blue · titanium white

secondary · yellow ochre · cadmium red

Mix burnt umber and ultramarine blue to create various shades of grey and brown for the buildings and sky. Add white to lighten these colors and create atmospheric perspective. Use yellow ochre and cadmium red sparingly for accents in the cars and buildings.

techniques

  • ·wet-on-wet blending
  • ·dry brush
  • ·atmospheric perspective
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the loose, expressive style.
  • →Creating too much contrast, which can flatten the image.
  • →Using colors that are too bright or saturated.
  • →Not simplifying the shapes of the cars and buildings enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·round brush size 4
  • ·flat brush size 6
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-sized canvas to allow for loose brushstrokes. Consider using a toned canvas to help establish the overall tone of the painting.

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