
plate no. 0191
Graham Sutherland, 1959
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness through expressive brushstrokes. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and suit.
Block in the main areas of color: skin tones, green suit, and background.
Start building up the skin tones with layers of color, paying attention to highlights and shadows.
Define the features of the face, such as the eyes, nose, and mouth, with more detail.
Work on the suit, using different shades of green to create depth and texture.
Add the details of the bow tie and collar.
Refine the background, keeping it simple and uncluttered.
Add final touches and highlights to complete the painting.
color palette
primary · titanium white · yellow ochre · cadmium red · viridian green
secondary · ivory black · ultramarine blue · raw umber
Mix skin tones using white, yellow ochre, and a touch of red. Use viridian green mixed with white and yellow ochre for the suit. Use black and ultramarine blue for the bow tie.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.
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