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Mask by Ding Yanyong

plate no. 0333

Mask

Ding Yanyong, 1955

oilExpressionismstill lifemasksculpturestill lifeportraitheadgeometric
some experience helpful

Recreating this painting will help students practice simplifying complex forms into basic shapes and understand how to use a limited palette to create depth and form. Students will also learn to apply visible brushstrokes to add texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mask and the background elements, focusing on proportions and placement.

  2. step 02

    Block in the large areas of color: the red background, the green shadow behind the mask, and the overall tone of the mask itself.

  3. step 03

    Begin to define the form of the mask by adding shadows and highlights, paying attention to the planes of the face.

  4. step 04

    Use short, visible brushstrokes to build up the texture and create a sense of depth.

  5. step 05

    Mix subtle variations of gray and white to capture the nuances of light and shadow on the mask.

  6. step 06

    Add the white line drawing on the red background.

  7. step 07

    Refine the edges and details of the mask, ensuring accurate representation of the facial features.

  8. step 08

    Add final highlights and shadows to enhance the three-dimensionality of the sculpture.

color palette

primary · titanium white · cadmium red · viridian green

secondary · ivory black · raw umber

Mix various shades of gray by combining white with small amounts of black and raw umber. Achieve the red background by mixing cadmium red with a touch of white to soften the intensity. Create the green shadow by mixing viridian green with white and a touch of black.

techniques

  • ·blocking in
  • ·dry brush
  • ·scumbling
  • ·value studies
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Failing to accurately capture the proportions of the mask.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in value and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a canvas with a smooth surface to allow for easier blending. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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