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home·artworks·Marrakech. View from the terrace at the Atlas Mountains
Marrakech. View from the terrace at the Atlas Mountains by Zinaida Serebriakova

plate no. 5503

Marrakech. View from the terrace at the Atlas Mountains

Zinaida Serebriakova, 1928

oilExpressionismcityscapecityscapemountainsbuildingsskytreesarchitecture
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering complex shapes with simplified values. It also provides practice in creating a sense of depth and distance using color and value variations.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes and perspective lines of the buildings and mountains.

  2. step 02

    Apply a light wash of diluted ochre or raw sienna to the entire paper for a warm undertone.

  3. step 03

    Begin painting the sky with a diluted mix of grey and a touch of blue, allowing it to blend softly.

  4. step 04

    Paint the distant mountains with a light grey-blue wash, adding darker values to suggest shadows and depth.

  5. step 05

    Start layering in the buildings, using varying shades of ochre, burnt sienna, and umber to define shapes and shadows.

  6. step 06

    Add details to the buildings, such as windows, doors, and roof textures, using a fine brush.

  7. step 07

    Paint the trees with a mix of green and brown, varying the values to create depth.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · raw sienna · burnt umber · titanium white

secondary · ultramarine blue · payne's gray

Mix raw sienna and burnt umber for the building tones. Use white to lighten values and blue/grey to create atmospheric perspective in the mountains and sky.

techniques

  • ·wet-on-dry layering
  • ·atmospheric perspective
  • ·value studies
  • ·dry brushing

common pitfalls

  • →Overworking the details too early
  • →Using too much water, causing colors to bleed uncontrollably
  • →Ignoring the importance of value contrast
  • →Not establishing a clear focal point

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paper 140lb
  • ·Watercolor paints
  • ·Round brushes (various sizes)
  • ·Flat brush
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser

optional

  • ·Masking fluid
  • ·Palette knife
  • ·Ruler

Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.

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oil painting for beginners →how to learn by studying the masters →
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