
plate no. 5503
Zinaida Serebriakova, 1928
Recreating this painting will help students develop skills in atmospheric perspective and rendering complex shapes with simplified values. It also provides practice in creating a sense of depth and distance using color and value variations.
technical profile
approach — 8 steps
Lightly sketch the main shapes and perspective lines of the buildings and mountains.
Apply a light wash of diluted ochre or raw sienna to the entire paper for a warm undertone.
Begin painting the sky with a diluted mix of grey and a touch of blue, allowing it to blend softly.
Paint the distant mountains with a light grey-blue wash, adding darker values to suggest shadows and depth.
Start layering in the buildings, using varying shades of ochre, burnt sienna, and umber to define shapes and shadows.
Add details to the buildings, such as windows, doors, and roof textures, using a fine brush.
Paint the trees with a mix of green and brown, varying the values to create depth.
Add final details and highlights to bring the painting to life.
color palette
primary · raw sienna · burnt umber · titanium white
secondary · ultramarine blue · payne's gray
Mix raw sienna and burnt umber for the building tones. Use white to lighten values and blue/grey to create atmospheric perspective in the mountains and sky.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varying levels of detail.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor