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home·artworks·Market in La Cuesta de San Vicente - Vitoria
Market in La Cuesta de San Vicente - Vitoria by Carlos Saenz de Tejada

plate no. 0916

Market in La Cuesta de San Vicente - Vitoria

Carlos Saenz de Tejada

oilSocial Realismgenre paintingfiguresanimalsmarketbuildingscityscapehorses
some experience helpful

Recreating this painting will help students develop skills in figure drawing, animal anatomy, and creating depth through layering and atmospheric perspective. It also provides practice in rendering textures and capturing the atmosphere of a bustling scene.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of figures, animals, and buildings.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin with a thin wash of color to establish the overall tones of the background and foreground.

  4. step 04

    Layer in the local colors of the figures, animals, and buildings, gradually building up depth and detail.

  5. step 05

    Refine the details of the figures and animals, paying attention to anatomy and proportions.

  6. step 06

    Add highlights and shadows to create form and dimension.

  7. step 07

    Develop the textures of the various surfaces, such as the clothing, fur, and buildings.

  8. step 08

    Add final details and adjust values to create a cohesive and engaging composition.

color palette

primary · raw umber · burnt sienna · ultramarine blue

secondary · yellow ochre · cadmium red · titanium white

Mix raw umber and ultramarine blue for the cooler shadows. Use burnt sienna and cadmium red for warmer tones in the figures' clothing and the ground. Titanium white is essential for lightening and mixing tints.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Ignoring the proportions of the figures and animals.
  • →Using colors that are too saturated or unrealistic.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-textured canvas to allow for layering and dry brushing techniques. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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