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home·artworks·Marinha
Marinha by Antonio Carneiro

plate no. 5620

Marinha

Antonio Carneiro, 1916

oilExpressionismlandscapebeachseaskycloudsfiguresdunes
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to simplify complex scenes into basic shapes and values. It also provides practice in blending colors to create subtle gradations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the horizon line and the basic shapes of the dunes and clouds.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, sea, and beach.

  3. step 03

    Mix a range of values for the sky, focusing on the subtle gradations of color in the clouds.

  4. step 04

    Develop the dunes with darker values in the foreground and lighter values in the distance to create depth.

  5. step 05

    Add the distant coastline and figures with simplified shapes and muted colors.

  6. step 06

    Refine the brushwork to suggest texture and movement in the clouds and sand.

  7. step 07

    Add final details, such as highlights on the waves and subtle variations in the sand.

  8. step 08

    Evaluate the overall balance of the painting and make any necessary adjustments.

color palette

primary · burnt sienna · ultramarine blue · titanium white

secondary · yellow ochre · raw umber

Mix burnt sienna and ultramarine blue with varying amounts of white to create the range of browns and grays needed for the beach, dunes, and sky. Add yellow ochre to warm up the browns and raw umber to darken them.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·simplified shapes

common pitfalls

  • →Overworking the details and losing the overall impressionistic feel.
  • →Creating too much contrast, which can flatten the image.
  • →Failing to establish a clear sense of depth through atmospheric perspective.
  • →Using colors that are too saturated, which can make the painting look unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·#6 round brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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