
plate no. 1614
Beauford Delaney, 1965
Recreating this painting will help students practice layering colors and creating texture with visible brushstrokes. It also encourages exploration of color relationships and expressive portraiture.
technical profile
approach — 8 steps
Sketch the basic shapes of the figure and background, paying attention to proportions.
Apply a base layer of yellow to the entire canvas.
Begin layering different shades of yellow and hints of orange and red in the background to create texture.
Mix skin tones using yellow, brown, and a touch of red, and apply to the face and hands.
Paint the dress with a flat, lighter yellow.
Create the shawl by layering yellow and blue, using short, broken brushstrokes to create a textured effect.
Add details to the face, such as eyes, nose, and mouth, using darker shades of brown and red.
Refine the details and add highlights to complete the painting.
color palette
primary · yellow ochre · raw umber · titanium white
secondary · ultramarine blue · cadmium red light
Mix various shades of yellow by adding white, orange, or a touch of brown. Create skin tones by blending yellow, brown, and a small amount of red. Use blue to create cooler tones in the shawl.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use heavy body acrylics or oils for better texture. A medium can be added to thin the paint if desired.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor