
plate no. 0665
Alfred Krupa, 1988
Recreating this painting will help students develop skills in layering watercolor washes and creating depth through value variations. It also provides practice in rendering organic shapes and textures with loose brushwork.
technical profile
approach — 8 steps
Lightly sketch the basic shapes: the hill, the water line, and the main tree trunks.
Apply a very diluted wash of yellow ochre or raw sienna to the entire paper as a base tone.
Begin layering washes of diluted browns and blues for the hill and trees, building up darker values in the shadows.
Use a slightly darker wash to define the reflections in the water, keeping them soft and blurred.
Add details to the trees with a fine brush, using darker browns and blues for the branches.
Create the foreground with darker, more concentrated washes of brown, defining the edge of the land.
Add final details and highlights with small touches of clean water or a slightly lighter wash.
Allow to dry completely.
color palette
primary · burnt sienna · ultramarine blue · yellow ochre
secondary · raw umber · payne's gray
Mix browns by combining burnt sienna and ultramarine blue. Vary the proportions to create warmer or cooler browns. Use yellow ochre to create lighter, warmer tones.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use good quality watercolor paper to prevent buckling and allow for better blending. Experiment with different brush sizes to achieve various effects.
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