
plate no. 4166
Heinrich Campendonk, 1918
This painting is great for learning about color theory and how to use non-realistic colors to create a mood. Recreating this will help students understand how to simplify forms and use bold brushstrokes.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figure and background elements.
Block in the large areas of color, starting with the background.
Apply the primary colors to the face and hands, focusing on the light and shadow areas.
Add the darker blues and blacks to the clothing and hair.
Refine the details of the face, including the eyes, nose, and mouth.
Paint the flower and the geometric shapes.
Add final details and adjust colors as needed.
Allow to dry and varnish (optional).
color palette
primary · yellow · red · blue · green
secondary · black · white · pink · orange
Mix greens from blues and yellows. Create lighter shades by adding white to the primary colors. Use red and yellow to create orange hues.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Acrylics will dry faster, while oils will allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor