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home·artworks·Man Smoking
Man Smoking by Lucian Freud

plate no. 7987

Man Smoking

Lucian Freud, 1987

oil, canvasExpressionismportraitportraitmanpipesmokingsuitfigure
experienced study

Recreating this painting will help students develop skills in expressive brushwork and color mixing to achieve realistic skin tones. It also provides practice in capturing likeness and conveying character through portraiture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and pipe.

  2. step 02

    Establish the background color with a thin wash of neutral tones.

  3. step 03

    Block in the main areas of color on the face and clothing, focusing on large shapes and values.

  4. step 04

    Begin to build up the skin tones using layers of broken color and visible brushstrokes.

  5. step 05

    Pay close attention to the highlights and shadows on the face to create depth and form.

  6. step 06

    Add details to the eyes, nose, and mouth, capturing the unique features of the subject.

  7. step 07

    Refine the clothing and pipe, adding texture and detail with small brushstrokes.

  8. step 08

    Make final adjustments to the colors and values to achieve a cohesive and expressive portrait.

color palette

primary · titanium white · cadmium red · yellow ochre · raw umber

secondary · ultramarine blue · ivory black · burnt sienna

Achieve skin tones by mixing cadmium red, yellow ochre, titanium white, and small amounts of raw umber. Use ultramarine blue and ivory black to create cool shadows and adjust the temperature of the skin tones.

techniques

  • ·broken color
  • ·impasto
  • ·scumbling
  • ·alla prima
  • ·expressive brushwork

common pitfalls

  • →over-blending the colors
  • →losing the structure of the face
  • →ignoring the importance of value contrast
  • →getting bogged down in details too early

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to create a more unified color palette.

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oil painting for beginners →how to learn by studying the masters →
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