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home·artworks·Man Sitting - Back View
Man Sitting - Back View by Wayne Thiebaud

plate no. 3319

Man Sitting - Back View

Wayne Thiebaud, 1964

oil, canvasNew Realismgenre paintingfigurechairback viewmansittingminimalist
some experience helpful

Recreating this painting will help students develop skills in subtle color mixing, understanding light and shadow on simple forms, and creating a sense of depth with limited detail. It's a good exercise in capturing the essence of a subject with economy of means.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and chair, paying attention to proportions and placement on the canvas.

  2. step 02

    Block in the large areas of color: the background, the shirt, the pants, and the chair.

  3. step 03

    Begin refining the colors in the shirt, mixing subtle variations of white and gray to capture the light and shadow.

  4. step 04

    Develop the colors in the pants, using muted tones and soft edges to suggest form.

  5. step 05

    Paint the chair, focusing on the interplay of light and shadow on the wooden structure.

  6. step 06

    Add the details of the shoes, using small brushstrokes to create texture.

  7. step 07

    Refine the shadows cast by the chair and figure, paying attention to their shape and intensity.

  8. step 08

    Make final adjustments to the colors and values to create a cohesive and balanced composition.

color palette

primary · titanium white · ivory black · raw umber

secondary · yellow ochre · burnt sienna · ultramarine blue

Achieve the subtle grays and whites by mixing titanium white with small amounts of ivory black, raw umber, and ultramarine blue. Use yellow ochre and burnt sienna for the shoes and chair, adjusting the tones with white and umber.

techniques

  • ·color mixing
  • ·blending
  • ·value study
  • ·edge control
  • ·observational painting

common pitfalls

  • →Overworking the details and losing the simplicity of the original.
  • →Using colors that are too saturated or intense.
  • →Failing to capture the subtle variations in light and shadow.
  • →Incorrect proportions of the figure and chair.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Pre-toned canvas with a neutral gray can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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