apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Man reading (Father)
Man reading (Father) by Walter Gramatté

plate no. 2971

Man reading (Father)

Walter Gramatté, 1917

oilExpressionismportraitfigureportraitmanreadingchairinterior
some experience helpful

Recreating this painting will help students develop skills in capturing form with loose brushstrokes and creating a sense of depth through subtle value changes. It also encourages simplification of details and focusing on the overall impression.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the surrounding furniture.

  2. step 02

    Establish the darkest areas of the painting with a dark brown or black.

  3. step 03

    Block in the main color areas: the skin tones, the clothing, the chair, and the background.

  4. step 04

    Start building up layers of color, focusing on capturing the light and shadow.

  5. step 05

    Use short, directional brushstrokes to define the forms and create texture.

  6. step 06

    Pay attention to the edges of the shapes, softening some and sharpening others.

  7. step 07

    Add the details of the face and the letter, but keep them simple and expressive.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · raw umber · ivory black · titanium white · burnt sienna

secondary · yellow ochre · cadmium red light · viridian

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Add small amounts of red or green to create warmer or cooler tones.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·directional brushstrokes
  • ·value studies

common pitfalls

  • →Overworking the details
  • →Creating muddy colors
  • →Losing the overall impression
  • →Ignoring the importance of value

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·#6 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor