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home·artworks·Man at the Crossroads/Man, Controller of the Univers
Man at the Crossroads/Man, Controller of the Univers by Diego Rivera

plate no. 3343

Man at the Crossroads/Man, Controller of the Univers

Diego Rivera, 1934

frescoMuralismallegorical paintingfiguresmachinerycrowdstatuestechnologyallegory
advanced study

Recreating this painting will help students develop skills in complex composition, figure drawing, and rendering a wide range of textures and materials. It also encourages the study of historical and social themes within art.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and figures, focusing on the central machinery and the placement of the crowds.

  2. step 02

    Establish the background tones and basic color blocks for the different sections of the mural.

  3. step 03

    Start building up the details in the central machinery, paying attention to the overlapping forms and the light source.

  4. step 04

    Develop the figures in the crowds, working from general shapes to more specific details, and varying skin tones and clothing.

  5. step 05

    Add details to the statues and other symbolic elements, focusing on accurate proportions and shading.

  6. step 06

    Refine the color palette, adjusting hues and values to create depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Varnish for protection and to enhance the colors.

color palette

primary · ochre · raw umber · titanium white · cadmium red

secondary · ultramarine blue · viridian green · cadmium yellow light

Achieve the muted tones by mixing earth tones with white and small amounts of primary colors. Use glazes of thinned colors to create depth and subtle color variations.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·linear perspective

common pitfalls

  • →Overworking details too early
  • →Inaccurate proportions of figures
  • →Muddying the colors by overmixing
  • →Ignoring the overall composition and focal point

materials

surface · Stretched canvas

required

  • ·Stretched canvas (large size)
  • ·Acrylic gesso
  • ·Ochre oil paint
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Cadmium red oil paint
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Retarder medium

Use a high-quality canvas to withstand multiple layers of paint. Consider using a medium to slow the drying time and allow for easier blending.

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