
plate no. 1010
Sallinen Tyko, 1921
Recreating this painting will help students develop skills in loose watercolor washes and capturing the essence of a scene with simplified shapes and values. It also encourages experimentation with color mixing to achieve subtle variations in tone.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the buildings and hills, focusing on proportions and placement.
Apply a light wash of diluted neutral colors (e.g., raw umber, burnt sienna) to the buildings and hills, establishing the base values.
Add darker washes to create shadows and define the forms of the buildings and hills.
Introduce hints of color to the roofs (reds, oranges) and the sky (blues, purples).
Use a smaller brush to add details such as windows, doors, and the fence in the foreground.
Create texture by using dry brush techniques, especially on the hills and the foreground.
Add final touches and highlights to enhance the overall composition.
Allow to dry completely.
color palette
primary · raw umber · burnt sienna · ultramarine blue
secondary · cadmium red · yellow ochre · violet
Mix raw umber and ultramarine blue for the darker shadows. Use burnt sienna and cadmium red for the roof colors. Dilute colors significantly for washes.
techniques
common pitfalls
surface · watercolor paper 140lb
required
optional
Use high-quality watercolor paper to prevent buckling. Experiment with different brush sizes to achieve varied effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor