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home·artworks·Madonna and Child with Six Saints
Madonna and Child with Six Saints by Sandro Botticelli

plate no. 7609

Madonna and Child with Six Saints

Sandro Botticelli, 1470

temperaEarly Renaissancereligious paintingfiguresreligiousMadonnachildsaintsarchitecture
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a balanced composition with multiple subjects. It also provides practice in achieving smooth gradations and subtle color variations in skin tones and fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch of the overall composition, focusing on the placement and proportions of the figures.

  2. step 02

    Refine the sketch, adding details to the faces, hands, and drapery.

  3. step 03

    Block in the main color areas with thin washes of tempera paint.

  4. step 04

    Begin building up the layers of color, working from dark to light.

  5. step 05

    Pay close attention to the subtle color variations in the skin tones and fabrics.

  6. step 06

    Add details to the faces, hands, and drapery, using fine brushes.

  7. step 07

    Refine the background and architectural elements.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ultramarine blue · vermilion · yellow ochre · titanium white

secondary · raw umber · ivory black · cadmium red light

Mix various shades of blue by combining ultramarine with white and a touch of black. Achieve skin tones by blending white, yellow ochre, and a small amount of red. Create depth in the drapery by layering different shades of the primary colors.

techniques

  • ·underpainting
  • ·layering
  • ·glazing
  • ·hatching
  • ·blending

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of harmony.
  • →Using colors that are too bright or saturated.
  • →Failing to create a sense of depth and dimension.

materials

surface · gessoed panel

required

  • ·gessoed panel
  • ·egg tempera paints
  • ·fine brushes (various sizes)
  • ·palette
  • ·water
  • ·soft cloths
  • ·tracing paper
  • ·pencil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium (egg yolk and water)

Egg tempera dries quickly, so work in small sections and keep your brushes clean. Use distilled water for mixing your paints.

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