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home·artworks·Madame Rivière (after Jean Auguste Dominique Ingres)
Madame Rivière (after Jean Auguste Dominique Ingres) by Matthew Smith

plate no. 0210

Madame Rivière (after Jean Auguste Dominique Ingres)

Matthew Smith, 1913

oilFauvismportraitportraitfiguredresschairfabricwoman
some experience helpful

This painting provides practice in color mixing to achieve nuanced skin tones and fabric folds, as well as capturing the essence of a portrait through simplified forms and expressive brushwork. Students will also learn to create a sense of depth and form using color temperature and value.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic oval shape and the figure's pose, focusing on proportions.

  2. step 02

    Block in the large areas of color: red background, blue chair, and yellow dress.

  3. step 03

    Begin to refine the shapes of the figure, paying attention to the contours and folds of the fabric.

  4. step 04

    Mix and apply skin tones, using variations of yellow, pink, and brown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, using small, expressive brushstrokes.

  6. step 06

    Develop the details of the dress and fabric, using a variety of brushstrokes to create texture and depth.

  7. step 07

    Refine the background and add any final details.

  8. step 08

    Add highlights and shadows to enhance the form and create a sense of depth.

color palette

primary · cadmium red · ultramarine blue · cadmium yellow · titanium white

secondary · burnt sienna · viridian · alizarin crimson

Mix various shades of yellow with white and a touch of blue to create the highlights and shadows in the dress. Use red and blue to create the purplish hues in the shadows. Mix red and yellow for the skin tones, adding white for highlights and a touch of blue for shadows.

techniques

  • ·broken color
  • ·color temperature
  • ·expressive brushwork
  • ·simplified forms
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the likeness of the subject.
  • →Ignoring the importance of color temperature in creating depth and form.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·acrylic or oil paints
  • ·#6 round brush
  • ·#8 flat brush
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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