
plate no. 2327
Amedeo Modigliani, 1914
Recreating this painting will help students develop skills in simplified portraiture, color mixing for skin tones, and creating a sense of depth with minimal detail. It also encourages expressive brushwork and capturing a mood rather than precise realism.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the figure, hat, and background.
Block in the main areas of color: skin, hat, dress, and background.
Mix a range of skin tones using red, yellow, white, and a touch of blue.
Apply the skin tones, blending softly to create smooth transitions.
Define the features of the face with simple lines and shadows.
Paint the hat using black and white, paying attention to the light and shadow.
Add details to the dress and background, using loose brushstrokes.
Refine the overall composition, adjusting colors and values as needed.
color palette
primary · burnt sienna · ivory black · titanium white · raw umber
secondary · Prussian blue · cadmium red light
Mix skin tones by combining burnt sienna, white, and small amounts of red and blue. Use raw umber and black for the hat, lightening with white. The background is a mix of white, blue, and raw umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a smooth surface for easier blending. Acrylics are faster to dry, but oils allow for more blending time.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor