apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lyon
Lyon by Oskar Kokoschka

plate no. 1404

Lyon

Oskar Kokoschka, 1927

oilExpressionismcityscapecityscaperiverbuildingsskybirdshill
experienced study

This painting helps develop skills in loose, expressive brushwork and capturing the overall impression of a scene rather than precise details. It also encourages experimentation with color mixing to achieve atmospheric effects.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, river, and hill, focusing on composition.

  2. step 02

    Block in the sky with diluted blues, yellows, and whites, allowing colors to blend.

  3. step 03

    Establish the dark areas of the buildings and hill with mixtures of browns, greens, and blues.

  4. step 04

    Add mid-tones to the buildings, focusing on warm oranges and yellows where light hits.

  5. step 05

    Define the river with varying shades of blue and gray, reflecting the sky and buildings.

  6. step 06

    Use short, broken brushstrokes to suggest details in the buildings and foliage.

  7. step 07

    Add highlights to the buildings and water to create depth and dimension.

  8. step 08

    Paint the birds with quick, gestural strokes of white and light gray.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · viridian green · raw umber · cadmium orange

Mix blues and whites for the sky, adding yellow ochre for warmth. Combine browns, greens, and blues for the darker areas. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Overworking details
  • →Creating muddy colors
  • →Ignoring value relationships
  • →Not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·rags

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor