
plate no. 5270
Alexis Gritchenko, 1962
Recreating this painting will help students develop skills in impasto application and expressive color mixing to capture the essence of a landscape. It also encourages simplification of forms and focusing on texture.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the tree, buildings, and distant mountains.
Block in the sky with light blue, using broad brushstrokes.
Establish the horizon line and the general areas of the fields and water.
Apply thick layers of paint for the tree, using various shades of blue, green, and white.
Define the shapes of the buildings with browns, oranges, and reds, using visible brushstrokes.
Add details to the foreground with earth tones and greens, creating texture with impasto.
Create the clouds with white and touches of pink/brown, blending slightly with the sky.
Refine the details and adjust the colors as needed to achieve the desired expressive effect.
color palette
primary · ultramarine blue · titanium white · burnt sienna
secondary · yellow ochre · sap green · raw umber
Mix blues and white for the sky and tree highlights. Use burnt sienna and white for the buildings, adding touches of yellow ochre for warmth. Mix greens from blue and yellow, and use raw umber for shadows and earth tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A textured canvas can enhance the impasto effect.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor