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home·artworks·Lumière Sur La Plaine
Lumière Sur La Plaine by Alexis Gritchenko

plate no. 5270

Lumière Sur La Plaine

Alexis Gritchenko, 1962

oilExpressionismlandscapelandscapetreesbuildingsskymountainsfields
some experience helpful

Recreating this painting will help students develop skills in impasto application and expressive color mixing to capture the essence of a landscape. It also encourages simplification of forms and focusing on texture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, buildings, and distant mountains.

  2. step 02

    Block in the sky with light blue, using broad brushstrokes.

  3. step 03

    Establish the horizon line and the general areas of the fields and water.

  4. step 04

    Apply thick layers of paint for the tree, using various shades of blue, green, and white.

  5. step 05

    Define the shapes of the buildings with browns, oranges, and reds, using visible brushstrokes.

  6. step 06

    Add details to the foreground with earth tones and greens, creating texture with impasto.

  7. step 07

    Create the clouds with white and touches of pink/brown, blending slightly with the sky.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired expressive effect.

color palette

primary · ultramarine blue · titanium white · burnt sienna

secondary · yellow ochre · sap green · raw umber

Mix blues and white for the sky and tree highlights. Use burnt sienna and white for the buildings, adding touches of yellow ochre for warmth. Mix greens from blue and yellow, and use raw umber for shadows and earth tones.

techniques

  • ·impasto
  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·expressive brushwork

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating mud by over-mixing colors on the canvas.
  • →Not using enough paint to achieve the desired impasto effect.
  • →Failing to simplify the forms and focusing on unnecessary details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·palette
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·palette scraper

Use high-quality oil paints for best results. A textured canvas can enhance the impasto effect.

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