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home·artworks·Louise
Louise by William Scott

plate no. 6076

Louise

William Scott, 1939

oilExpressionismportraitfigureportraittablecupinteriorchair
some experience helpful

This painting provides an opportunity to practice simplified figure drawing and color mixing to achieve skin tones and subtle variations in light and shadow. Students can also learn to create a sense of depth using color and value rather than precise detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, table, and cup.

  2. step 02

    Block in the main areas of color: background, skin tones, shirt, skirt, table, and chair.

  3. step 03

    Mix a range of skin tones using red, yellow, white, and a touch of blue or brown.

  4. step 04

    Develop the shadows and highlights on the figure, paying attention to the planes of the face and body.

  5. step 05

    Refine the details of the cup and saucer, using subtle variations in color to suggest form.

  6. step 06

    Add texture to the table and background with visible brushstrokes.

  7. step 07

    Adjust the overall color balance and value contrast to create a cohesive composition.

  8. step 08

    Add final details and highlights.

color palette

primary · titanium white · ultramarine blue · burnt sienna · yellow ochre

secondary · alizarin crimson · raw umber

Skin tones can be achieved by mixing white, yellow ochre, and a touch of red and blue. Vary the proportions to create different shades. The blue skirt is a mix of ultramarine blue and a touch of black or burnt umber.

techniques

  • ·simplified figure drawing
  • ·color mixing for skin tones
  • ·blocking in
  • ·visible brushstrokes
  • ·creating depth with color

common pitfalls

  • →overworking details
  • →getting skin tones too muddy
  • →ignoring the underlying structure of the figure
  • →making the composition too symmetrical

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·raw umber oil paint
  • ·alizarin crimson oil paint

Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.

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