
plate no. 6076
William Scott, 1939
This painting provides an opportunity to practice simplified figure drawing and color mixing to achieve skin tones and subtle variations in light and shadow. Students can also learn to create a sense of depth using color and value rather than precise detail.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, table, and cup.
Block in the main areas of color: background, skin tones, shirt, skirt, table, and chair.
Mix a range of skin tones using red, yellow, white, and a touch of blue or brown.
Develop the shadows and highlights on the figure, paying attention to the planes of the face and body.
Refine the details of the cup and saucer, using subtle variations in color to suggest form.
Add texture to the table and background with visible brushstrokes.
Adjust the overall color balance and value contrast to create a cohesive composition.
Add final details and highlights.
color palette
primary · titanium white · ultramarine blue · burnt sienna · yellow ochre
secondary · alizarin crimson · raw umber
Skin tones can be achieved by mixing white, yellow ochre, and a touch of red and blue. Vary the proportions to create different shades. The blue skirt is a mix of ultramarine blue and a touch of black or burnt umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a limited palette to simplify color mixing. Consider using a toned canvas to create a more unified color scheme.
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