apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Lotus
Lotus by Huang Yongyu

plate no. 3799

Lotus

Huang Yongyu, 2002

oilExpressionismflower paintinglotusflowersleaveswaterplantsfloral
some experience helpful

Recreating this painting will help students develop skills in loose brushwork and color mixing to create a vibrant and expressive floral composition. It also provides practice in capturing the essence of a subject rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the lotus flowers, leaves, and stems.

  2. step 02

    Apply a thin wash of diluted green and blue to the background, allowing colors to blend loosely.

  3. step 03

    Block in the main areas of the lotus leaves with varying shades of green and blue, using expressive brushstrokes.

  4. step 04

    Paint the lotus petals with a light pink wash, adding subtle shading to define their form.

  5. step 05

    Add the details of the flower centers with small dots of red, orange, and yellow.

  6. step 06

    Define the stems with a mix of brown and green, adding small dots of yellow to suggest texture.

  7. step 07

    Refine the background with additional layers of color, creating depth and atmosphere.

  8. step 08

    Add final touches and details to enhance the overall composition.

color palette

primary · cerulean blue · sap green · rose madder

secondary · lemon yellow · burnt sienna

Mix greens by combining blue and yellow, and create pinks by diluting red with white. Use water to create transparent washes and allow colors to blend on the paper.

techniques

  • ·wet-on-wet blending
  • ·dry brush texture
  • ·color layering
  • ·expressive brushstrokes

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Using colors straight from the tube without mixing.
  • →Creating muddy colors by over-blending.
  • →Not allowing the washes to dry properly before adding subsequent layers.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·round brushes (various sizes)
  • ·watercolor paper 140lb
  • ·water container
  • ·palette
  • ·paper towels

optional

  • ·masking fluid
  • ·palette knife
  • ·spray bottle

Use high-quality watercolor paper to prevent buckling and allow for better color blending. Experiment with different brush sizes to achieve a variety of textures.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor