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home·artworks·Little Carl (Karl Schleicher)
Little Carl (Karl Schleicher) by Robert Henri

plate no. 8334

Little Carl (Karl Schleicher)

Robert Henri, 1921

oilAmerican Realismportraitportraitchildfigureclothingchairindoor
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing likeness with loose brushstrokes. It also provides practice in simplifying complex forms and creating a sense of depth with subtle value changes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Establish the background with broad strokes of dark browns and greens.

  3. step 03

    Block in the main areas of color for the skin, hair, clothing, and chair, focusing on the overall value relationships.

  4. step 04

    Refine the skin tones by layering and blending different shades of pink, yellow, and brown.

  5. step 05

    Add details to the face, such as the eyes, nose, and mouth, paying close attention to their placement and shape.

  6. step 06

    Define the clothing and chair with bolder brushstrokes, capturing the texture and folds of the fabric.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the colors, values, and details to achieve a cohesive and expressive portrait.

color palette

primary · yellow ochre · burnt umber · titanium white · ultramarine blue

secondary · cadmium red light · viridian

Achieve skin tones by mixing yellow ochre, burnt umber, titanium white, and a touch of cadmium red light. Darken colors with burnt umber and ultramarine blue. Use viridian to create the dark greens in the background.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·color temperature
  • ·portraiture

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Getting the proportions of the face wrong.
  • →Using colors that are too saturated or unnatural.
  • →Failing to capture the likeness of the subject.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red light, viridian)
  • ·Bristle brushes (various sizes)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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